Arundhati Nag reflects on the transformation of the theatre landscape over the past 20 years since founding Ranga Shankara, noting the shift in perceptions and consumption patterns. She emphasizes how Ranga Shankara has been instrumental in democratizing theatre, making it more accessible and appealing to a broader audience. Nag shares her aspirations for the future of Ranga Shankara and discusses the challenges and rewards of nurturing the theatre community. Despite encountering obstacles, she remains committed to realizing the ambitious vision set forth at the inception of the venue. Nag acknowledges the evolving nature of theatre, celebrating the innovative work of young theatre groups while also highlighting the need for continuous growth and exploration within the field.States like Gujarat, Bengal, and Karnataka united as a collective anti-colonial voice. As India continues to urbanize, the gap between traditional and urban theater widens globally. However, India boasts diverse languages and art forms that must be preserved for future generations. In 2004, a photo captured the opening of Ranga Shankara, reflecting on how the theater scene has doubled in size over the past two decades. While this growth welcomes more young enthusiasts, there is a desire to popularize theater attendance and appreciation. The support of individuals who generously invest in the arts without constraints is commendable. Arundhati Nag believes in venturing into new territories while emphasizing the significance of theater as a medium for learning and cultural exploration. In the fast-changing world, she encourages maintaining generosity and striving for excellence.I hope that the essence of Ranga Shankara will endure beyond our time, embodying qualities of kindness, generosity, and excellence. Striking a balance between generosity and excellence is key. Arundhati Nag and the late Girish Karnad were spotted mingling with literary figures at the venue.